STUDY OF NARRATION AND EDITING: MAHARAJA(2024)
Lost and Found in Time: Maharaja and the Craft of Editing “A film does not simply unfold through time; it is shaped, re-shaped, and revealed through editing - through cuts, gaps, and returns that make us question when a story truly begins or ends.” This blog has been written as part of my activity for the subject of Film Studies under the guidance of Prof. Dilip Barad Sir. The blog responds to the tasks assigned through the worksheet on "Analysing Editing and Non-Linear Narrative in Maharaja (2024)" , a Tamil action-thriller directed by Nithilan Swaminathan. The purpose of this exercise is to critically engage with the film’s use of non-linear narration and editing techniques, exploring how these cinematic tools shape audience perception of time, character development, and narrative structure. Through this reflective analysis, I aim to deepen my understanding of how editing functions not merely as a technical process but as a key strategy in storytelling. Maharaja Theatrical...